About the Work
Rembrandt’s landscape drawings are basically always sketches drawn before the motif. The kind of finished composition we find here, with tiny people in a majestic “world landscape” of mountains, a river, city and countryside is found in only a few of his paintings. This and the signature, unusual in his drawings, led to the suspicion as far back as the 19th century that this print was a “forgery”. More recent examinations however have produced arguments favouring the notion that it could in fact be an original. A close look at the range of details, simply drawn but vibrant, such as the travellers in the left foreground, reveals a level of drawing expertise not anticipated in a first glance at this surprising drawing.