About the Work
François Lemoyne, who was about the same age as Watteau, pursued a career as a court artist. He produced large decorative wall and ceiling paintings in Versailles and attained the status of “first painter to the king”. For this study of a woman’s head, probably made in preparation for a painting, he used the colour- istic three-chalk technique, and to an extent handled the lines loosely and freely. The artificial, histrionic expression, however, has nothing in common with Watteau’s lifelike drawings.